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Kurt Rosenthal has animated 102 abstract landscape drawings made by Werner Nöfer as frames for this film in such a way that they take on a continual travelling motion, varying the order and detail shown. When the movement – and the accompanying motor noise – stop, the film strip itself becomes the subject of the film. In Oberhausen in 1971, the film was counted as being among the ‘Trip’ films.
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German
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